Here's an excerpt:
The first step to a successful illustration career is to find your voice – a unique consistent style. A lot of artists have trouble committing to one style at first because it kind of goes against an artist’s nature of exploring and not limiting their expression, but as an illustrator, art directors hire you because they want to give a project a specific tone, feeling and they need to be able to count on your work being a certain way for their project, campaign, etc. Imagine if you bought a Metallica CD and it was full of acoustic Bolivian folk music .. you would be kind of confused??? Art directors usually don’t want to play style roulette.Of course, this doesn’t mean you can’t do other styles.. it just means when you present them to art directors have consistency between the body of work. A number of illustrators, writers, and musicians work under various names for this particular reason. For example, my alter ego is Alexander Blue. This is a wackier, colorful style I do.Here is a really good book to read regarding this subject:
see more on his website...
And here are some insightful Q&A on illustration careers answered by different designers.
I always wondered how an art director learns to be one, and these are the people you are most likely going to encounter when licensing your art to companies. It's release date is September 9, 2009.
Here's the description:
This book is a highly informative, highly entertaining introduction to what art direction is and what art directors do. Co-written by one of the world's leading art directors, it covers the role of art director in numerous environments, including magazines and newspapers, advertising, corporate identity, museums and publishing. It also provides an insight into what makes a successful art director, what an art director actually does all day, what makes things go right, and what makes things go wrong. Alongside perspectives on typography, illustration and photography, there are case studies of successful art direction in different spheres, from McSweeney's to the Vier5 website. The authors have also invited preeminent international art directors to discuss their roles in special sections of the book which they have art directed themselves. The result is an impressive, enlightening and often very funny diversity of perspectives and approaches. Clearly written, including a glossary of handy art director sayings, an 'art director test' and more, "Art Direction Explained" will provide students with insights into the world of art direction and professionals with a bible to the profession.
Because I get so many emails from artists who want to learn how to sell their designs to card publishers, I wrote this article. While every artist has a completely different story about how they got into this career, I can only conclude there is no one "right way" to do it. I can only share my experiences and make recommendations of what to do if I did it all over again. This is an excerpt from my 40 page Kindle ebook "20 Steps to Art Licensing".
1. TAKE A CLASS
Take an art licensing class. You can check out Joan Beiriger's Blog on a list of Licensing Teachers. Bring your art to the class for feedback. If you are serious about this career, then fly to wherever the teacher is for a workshop and make it into a vacation.
2. READ BOOKS
Read the following Books: Licensing Art 101, Third Edition: Publishing and Licensing Your Artwork for Profit and Licensing Art and Design: A Professional's Guide to Licensing and Royalty Agreements
Learn Photoshop. Take a class at a local adult school or community college.
4. LEARN FROM OTHER ARTISTS WHO LICENSE
-Jane Mayday Getting Started in Art Licensing
-Maria Brophy How to License Your Art
-Deb Trotter How Blogging Led me to Art Licensing
-BJ Lantz Talks About Art Licensing
-Becky Schultea When Religious Faith Meets Licensing
-Art Licensing: Can You Make a Living at It?
-Joan Beiriger How to License Art to Manufacturers
-Feeling isolated? Watch these videos of artists telling their "Art Licensing Stories."
-Sign up to listen to live interviews with licensing artists, or listen to archives at Tara Reed's site which has a wealth of free information.
5. TRADE MAGAZINES
Subscribe to or familiarize yourself with gift trade magazines. Review what product "collections" look like.
Subscribe to Joan Beiriger's Art Licensing Blog and read how-to technical skills for artists. Also check out Art Licensing Blog, and Maria Brophy's blog on the licensing industry.
Sign up for the following news groups, and spend at least a day reading all the discussions and news: Yahoo Art of Licensing and Linkedin Art of Licensing
8. MAKE ART
Spend 3-6 months compiling your own art style and collections.
Visit Surtex show in New York as a guest. If you can't go there, try to visit another show in the gift industry. Take notes and collect names of companies and agents.
10. TRADESHOW CLASSES
Take classes at the tradeshows. The two best shows for classes are the Surtex show conference program and Licensing Show conference program. Many of the licensing consultants attend these and you can make appointments with them to evaluate your work.
Make 6-12 tear sheets of your collections.
A tear sheet is an 8 1/2 x 11 printout of samples of your work. For example, one sheet might be a series of Christmas designs made into products such as magnets, coasters or greeting cards. Another sheet might be spring tabletop items such as paper plates, napkins and paper cups. Here are some examples of a variety of kinds of tearsheets by other artists. Try to show your art on an actual product.
Joan Beiriger's Blog
Aurora Fox Design
Heaven and Earthworks
12. GET AN ATTORNEY & LEARN ABOUT COPYRIGHTS
Getting an attorney is the most important thing you can do when you start licensing art. You need someone who does artist contracts. I currently work with MJ Bogatin in Oakland, CA. I've worked with him for 20 years and now we do almost everything by email, which saves me time.
Also don't let the fear of having your artwork stolen stop you from showing it. Read Joan's article on "Don't Be a Legend in Your Own Mind."
13. GET A WEBSITE
Get a website and post your art with contact information. I use godaddy because they are cheap and they always answer the phone when you need help. Here are some tips on how to make a good art licensing site.
14. GET FEEDBACK
Once you've finished your collections, or while you are doing them, consult with a licensing expert for professional advice. Either hire a licensing Coach or offer to pay an Agent for a consultation session. Ask them what you should drop and what you should expand. Try to get as many opinions as possible. Always remember, no matter what anyone says, keep the designs that you would buy if you walked into a store today and saw them on a shelf.
Decide if you want to work with an agent. If so, do reseach on the subject and collect their names. Read "Questions to ask before Choosing an Agent" and "Do I need an artist's agent?" You can also refer to Joan's list of agents in the U.S. and in other Countries.
16. FIND COMPANIES TO WORK WITH
If you don't plan on working with an agent, make a plan to spend half your time doing research. Do the footwork, go to each company website and see if it's the right fit for you.
-Go to the Art Licensing Directory Project and get free access to company submission guidelines.
-Read guidelines for card company submissions.
-Find out what companies already do licensing.
-Research other resources explore which companies match your style.
17. RESEARCH STORES
Visit local stores and find products that your art style fits with. Find the label on the product and see who manufacturers it. Get that company's contact info and find out if they do art licensing. Look at aprons, tableware, shower curtains, potholders, greeting cards, magnets, stamps, bedding, paper plates, giftbags, rugs and coasters.
18. SUBMIT DESIGNS
Submit your designs to companies. If they don't accept digital submissions by email, here are some things you might send them, but always check their submission guidelines.
If you get rejected by a company, that is normal process. Don't fret. Try to contact about 50-100 companies and develop a new design mailing list. Send new stuff out once a month. Also see Joan Beiriger's post on 6 steps to write a query letter to a manufacturer.
Articles on submitting to specific industries:
-Joan Beiriger's Blog Licensing to Scrapbook Companies
-Joan Beiriger's Blog Licensing to Tabletop Companies
-Joan Beiriger's Blog Licensing to Quilting Companies
-Joan Beiriger's Blog Licensing to Jigsaw Puzzle Companies
-Joan Beiriger's Blog Licensing to Flag Companies
-Joan Beiriger's Blog Licensing to Greeting Card Companies
19. PRESS RELEASES
Learn how to write your own press releases and become familiar with the ways artists market their work online.
20. PLANNING BUDDY
Most Important: Get a planning buddy if you really want to accomplish all these goals. Also consider starting an art licensing support group.
New York, NY
National Stationery Show
New York, NY
The Supply Side
New York, NY
Licensing International Expo
New York, NY
Dallas Total Home & Gift Market
Atlanta International Gift & Home Furnishings Show
The Craft and Hobby Show
California Gift Show
Los Angeles, CA.
San Francisco International Gift Fair
San Francisco, CA
New York International Gift Fair
New York, NY.
Here's an excerpt:
An artist’s “brand” is not just a label, a logo, or a signature—instead, it is one of the most powerful marketing tools you can have. What do I mean? Read on.
What is branding, exactly?
Your brand is what you’re known for. Good branding is the act of becoming known for something that you do, above any other competitor. As an individual artist it is very likely that you don’t have an established brand like large companies do—which means if you want to gain customers, you must create a brand of your own.
Your brand, however, should not be focused on you. It should be focused on attracting customers. My brand is “Artwork that Begs to Be Touched” which immediately says something unique, and connects with potential buyers more than just a logo.
Some brand phrases are too generic, too vague to set you apart. You can call yourself the “Best western artist in America” but so what? Who compared you to whom? Does that even connect with potential buyers?
On the other hand, if you guarantee your western art by saying, “My brand is burned onto every painting,” then that’s something tangible for people to remember. You’re the artist who uses a branding iron to sign your work. Now that would certainly set you apart from the herd!
Here’s another stand-out brand: “The artist who provides a lifetime guarantee.” Also, “Art made from 100% recycled materials.” Both of these brands speak directly to the customers’ interests while setting you up as different from the norm.